Language

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Now online, Paul Hillier et al's Proensa interpretations of the troubadours have long enchanted me - although perhaps not some of the dinner party guests on whom I inflicted the vinyl version at various times during my more earnest past.

Is it really as long ago as the mid 1980s that I specialised in Medieval Provençal and wrote my dissertation on the amour de loinh of Peire Vidal? 

Rupert Gordon and I were the only students at Edinburgh to choose the option in many a year (perhaps since the 1950s, judging by the stamps in some of the books I borrowed!), and having been back in the George Square library many times since when two of my daughters were studying at Edinburgh, I've wondered whether anyone else has borrowed (m)any of these books since?

Four decades ago I left Aubagne, without any photos - which I sometimes regret, but I was young and stubborn and romantic and weird - but with images imprinted on my mind, and maybe my heart, forever.

Indeed, over the intervening years, these images have grown much stronger in relative terms, and moved closer and closer to the front and centre of the painting of my life, even as other, once seemingly permanent formative experiences have gradually faded....probably the reminiscence bump in action.

See also:

• On Provence

Today we speak with one another in c.7000 languages; but it