Halcyon In Kaleidoscope

The entries below highlight subjective views on an ever-changing range and scope of subjects.

This is less a blog than a set of irregularly updated and often fragmentary views - on ideas and values, places and people - evolving over time into mini essais which pay humble homage to the peerless founder of the genre. The writing is provisional, always open to change as new thoughts and ideas emerge.

The kaleidoscope is Halcyon's prime metaphor, embracing constant change and viewing the world through ever-moving lenses.

This is a work in progress. Please contact us to discuss further.

See also:

• Novelty and heresy

On an alternative world view

The sheer novelty of the ideas of such leaders not only addresses the issues at hand and but gives the world a new perspective to address issues of the future. The outmoded ways of leadership, of securing selfish interests and of exploiting public sentiments, should be relinquished. The new age leaders must look forward to lead the global thought rather than leading only a particular country or a section of society - Club of Amsterdam

This is for you and about you...all of you.

“I wonder about the trees,” Robert Frost wrote. Monumental in size, alive but inert, they inhabit a different temporality than ours. Some species’ life spans can be measured in human generations. We wake to find that a tree’s leaves have turned, or register, come spring, its sturdier trunk. But such changes are always perceived after the fact. We’ll never see them unfold, with our own eyes, in human time.

This evolving paper examines Ethical Development Goals (EDGs) that could complement the UN Sustainable Development Goals (SDGs).

Introduction

The EDGs are inspired by the SDGs, officially known as ‘Transforming our world: the 2030 Agenda for Sustainable Development’, an intergovernmental set of aspiration Goals with 169 targets.

However, ethical considerations need to play a more central role in the implementation of the SDGs.

And the town label makers stare down with their gallery eyes
And point with computer stained fingers each time you arise
To the rules and the codes and the system that keeps them in chains
Which is where they belong with no poems no love and no brains 

- from McGoohan's Blues

OCTOPUS part 9 by Adam Leonard

Happy 80th birthday on 12th June 2021 to "the great Roy Harper".

Wonderful to watch Roy entrance a packed London Palladium in March 2019 and very sorry that the pandemic caused him to postpone his 80th gig at The Royal Albert Hall in 2021.

Roy is, for me, among the most singular poets of this or any age, someone whose songs and messages have been with me, through all emotions, for more years than I care to remember. 

Welcome back, Roy; hopefully you've got many years of creativity still ahead; after all, my other great musical hero, Leonard Cohen, was was still going strong beyond 80 until his death in late 2016. Indeed, great to see one true genius recognising another.  In "Uncut", Roy chose his 10 favourite albums. Under the sub-heading "The Perfect Record for a Mid-Life Crisis", he picked Lenny's "I'm Your Man" and had this to say about it: "What a great record - and what a crisis I had. Cohen is the best songwriter of them all. I don't think I'm overstating that. He has the spirit and is a man who cares about his poetry more than any other songwriter that I know."

Roy was honoured by Glastonbury Festival founder Michael Eavis at the 2013 BB Folk Awards. Great to see this truly unique talent finally getting some of the five-star plaudits he has long deserved. Roy's latest (hopefully not last) concert at the Royal Festival Hall in London in October 2013 did not disappoint. Roy followed this up with a session on 6 Music.

After a three-year hiatus, for unfortunate reasons well documented elsewhere, Roy returned in triumph to the Royal Festival Hall in September 2016.

At least until the transhumanist dream becomes a reality, which according to one leading modern philosopher may be never, we will cling on to whatever we can that reminds us of our loved ones.

This is an evolving manifesto, more modest than great charters calling for widespread political change, or updated commandments for our time, or even simple poems for our time.

Instead, our small charter will be primarily a call for inner change, leading to outer change. We want to help people think more about how they can nurture key values. 

“This is happiness,” Willa Cather’s fictional narrator gasps as he sinks into his grandmother’s garden, “to be dissolved into something complete and great.” A generation later, in a real-life counterpart, Virginia Woolf arrived at the greatest epiphany of her life  - and to this day perhaps the finest definition of what it takes to be an artist - while contemplating the completeness and greatness abloom in the garden.

I was relatively late getting into Dylan properly...into my early 20s - although before that I'd appreciated individual songs, such as Lay Lady Lay, Like A Rolling Stone and others.

However, when his force finally it hit me, it hit me hard. Chimes of Freedom, To Ramona and Ballad in Plain D all affected me on a deep emotional level in different ways, while the likes of One More Cup of Coffee had a beguiling exoticism.

See also:

T.S. Eliot's legacy remains profound and his poetry moves me deeply.

In 2016 I had the privilege of visiting his final resting place, East Coker.

I read or listen to the peerless Little Gidding often, and almost every line entrances, as if peering through a veil at something once known, but half-forgotten because not looked-for.

Indigenous peoples who have never even listened to the radio can nonetheless pick up on happy, sad, and fearful emotions in Western music. A studied suggested that the expression of emotions is a basic feature of Western music, whereas in other musical traditions, music has traditionally more often been appreciated for other qualities, such as group coordination in rituals.

See Pan the Piper dancing in the greenwood dawn...Earth, Water, Fire, Air, dancing round the Maypole...at Beltane, light a Beltane fire, high on the skyline - from Ancient Dream, by Aeolian Songspell

In 1883, Antoni Gaudí began working on the Sagrada Família in Barcelona and before his death managed to complete the crypt, apse and part of the Nativity facade. Work slowed during the 1930s and 40s, then picked up again in the 1950s and a series of architects carried on Gaudí’s work, completing new towers and facades.

Now online, Paul Hillier et al's Proensa interpretations of the troubadours have long enchanted me - although perhaps not some of the dinner party guests on whom I inflicted the vinyl version at various times in my more earnest past!

Is it really as long ago as the 1980s that I specialised in Medieval Provençal and wrote my dissertation on the amour de loinh of Peire Vidal? Rupert Gordon and I were the only students at Edinburgh to choose the option in many a year (perhaps since the 1950s, judging by the stamps in some of the books I borrowed!), and having been back in the George Square library for the first time since then relatively recently, I wonder whether anyone else has borrowed any of these books since!

The period around and following the Spring Equinox, celebrated in Christianity as Easter, or in pagan circles as Ostara, one of the eight main feast days on the Wheel of the Year, is usually a hopeful time.

See also:

What if we could honour everyone - the estimated 110 billion or so humans who have ever lived?

Of course, our most urgent challenge right now is to keep working towards the goal of giving everyone alive right now access to basic needs - to water and food, security, health, education etc - and it's painfully clear that, with e.g. growing numbers of orphans around the world, we still have a huge task still ahead of us. (And yes, let's unashamedly say "us", rather than fall back on the third person, abstract term "humanity" that somehow suggests it's someone else's problem.)